Author: Naoki Urasawa
Pages: 224 pgs.
Publish Date: February 21, 2006
Publisher: Viz Media
Catalog ID: ISBN-10: 1591166411
Additional info: Language: English
This is the first volume of many in Naoki Urasawa’s Monster series. I’m not going to say too much about it as I don’t feel qualified to critically appraise Manga. I read it while asking myself what it has to contribute to the argument that graphic fiction could be a source for health professionals. I guess I’m used to reading gritty social realism in art comics and so I found this a bit… simplistic? Its certainly enjoyable: our altruistic hero, the young talented surgeon Kenzo Tenma, is cast against a background of corrupt, power hungry hospital doctors. After being briefly tempted by the the rewards of the system, he is persecuted for sticking to his morals.
As the story goes, Tenma is called upon by the odious Dr Heinemann, surgical director of the Dusseldorf hospital in which he is employed, to save the life of a famous opera singer rather than operate on a turkish immigrant, who gets to be treated by the inferior and slack Dr Becker, and who dies (the implication being that Tenma would have saved him). Tenma is berated by the turkish man’s wife. The next time a similar dilemma presents itself (a young boy versus the mayor!) he disobeys the director and operates on the boy, who seems to be the omore deserving case. Unfortunately the boy grows up to be a serial killer and the series is born…
The illustration is wonderful and the story exciting, although it tends toward filmic fantasy. The idiomatic language seems slightly odd to my western ears (eyes) , as I guess one would expect from a japanese person telling a story in English. To my mind the characters seem a little sterotyped: the beautiful, fickle directors daughter to whom Tenma is engaged is full of ambitions of being a surgical director wife, but dumps him when he falls out of favour and is no longer the revered hot shot. Its a tale of heroic male doctors and fawning, pretty female nurses or dismissive, ugly ones. As Scott McCloud points out, however, comics tend to work through creating stereotypes and that is one rhetorical device that gives them their power.
Like Black Jack stories such as this, although not accurate in a “realistic” sense, still provide emotional truths and work, I think, as a form of allegory, providing a role model that might well influence the way that doctors work or encourage medically oriented carrer choices.
I will have to read more of this prodigeous series, sometimes one must read on before making ones mind up, I guess volume 1 is just the introduction. watch this space.