• Home
  • Comic Reviews
    ▼
    • All
    • Editor’s Picks
    • Graphic Novels
    • Comic Books
    • Educational
    • Manga
    • bandes dessinées
    • Web Comics
    • Picture Books
    • Unreviewed
  • Podcast
  • Blog
  • Conferences
    ▼
    • 2020 Toronto Conference
    • 2019 Brighton Conference
    • 2018 Vermont Conference
    • 2017 Seattle Conference
      ▼
      • Home
      • Program
      • Registration (NOW CLOSED)
      • Lodging in Seattle
      • 2017 Seattle Conference Sponsors
      • Call for Art
      • Press/Media Inquiries
    • 2016 Dundee Conference
    • 2015 Riverside Conference
    • 2014 Baltimore Conference
      ▼
      • Home
      • Program 2014
        ▼
        • Program 2014
        • Keynote Speakers 2014
        • Marketplace 2014
        • Juried Exhibit 2014
        • Call for Papers 2014 (closed)
      • Accommodation & Travel 2014
        ▼
        • Accommodation & Travel 2014
        • Additional hotel suggestions
      • Sponsors 2014
      • Baltimore Restaurants & Attractions
      • FAQs 2014
      • Registration 2014 (closed)
    • 2013 Brighton Conference
    • 2012 Toronto Conference
    • 2011 Chicago Conference
    • 2010 London Conference
  • Links
    ▼
    • Medicina Grafica (our sister site)
    • National Library of Medicine Graphic Medicine Exhibit
    • Online Articles
    • Comic Sites and Blogs
    • Author and Artist Sites
    • Medical Humanities
  • Publishers
  • About
    ▼
    • Who’s Behind Graphic Medicine?
    • Why “Graphic Medicine”?
    • A Short History of “Art” Comics
  • Contact
  • Shop/Support
Graphic Medicine
  • Home
  • Comic Reviews
    • All
    • Editor’s Picks
    • Graphic Novels
    • Comic Books
    • Educational
    • Manga
    • bandes dessinées
    • Web Comics
    • Picture Books
    • Unreviewed
  • Podcast
  • Blog
  • Conferences
    • 2020 Toronto Conference
    • 2019 Brighton Conference
    • 2018 Vermont Conference
    • 2017 Seattle Conference
      • Home
      • Program
      • Registration (NOW CLOSED)
      • Lodging in Seattle
      • 2017 Seattle Conference Sponsors
      • Call for Art
      • Press/Media Inquiries
    • 2016 Dundee Conference
    • 2015 Riverside Conference
    • 2014 Baltimore Conference
      • Home
      • Program 2014
        • Program 2014
        • Keynote Speakers 2014
        • Marketplace 2014
        • Juried Exhibit 2014
        • Call for Papers 2014 (closed)
      • Accommodation & Travel 2014
        • Accommodation & Travel 2014
        • Additional hotel suggestions
      • Sponsors 2014
      • Baltimore Restaurants & Attractions
      • FAQs 2014
      • Registration 2014 (closed)
    • 2013 Brighton Conference
    • 2012 Toronto Conference
    • 2011 Chicago Conference
    • 2010 London Conference
  • Links
    • Medicina Grafica (our sister site)
    • National Library of Medicine Graphic Medicine Exhibit
    • Online Articles
    • Comic Sites and Blogs
    • Author and Artist Sites
    • Medical Humanities
  • Publishers
  • About
    • Who’s Behind Graphic Medicine?
    • Why “Graphic Medicine”?
    • A Short History of “Art” Comics
  • Contact
  • Shop/Support
Home / Comic Reviews / Comic Books / Why I Killed Peter

Why I Killed Peter

  • Facebook
  • Twitter
  • Pinterest

Review

When Olivier is twelve years old, he is sexually abused by Peter, a liberal Catholic priest, a friend of his parents and grandparents who supervises a children’s camp. He tries to rationalise what has happened, but doesn’t disclose the abuse for many years. The event has emotionally scarred him and Olivier develops mental health problems and a chronic need to psychologically exorcise the abuse.

He writes the story down and his friend, the comics artist Alfred, agrees to turn it into a strip. Hearing that Peter is dead, they decide to revisit the scene of the abuse, the children’s camp, twenty three years after the event. On their approach they see a shrunken old figure coming to greet them, and so come face to face with the still animated Peter.

The story is focalised through the adult Olivier who, narrating the story in the present tense, analyses the actions of his childhood self and the behaviour of his abuser. He loves Peter, a big smiley, friendly guy, and is naive to the priests grooming of him. The sexual act is brief and non violent, never to be repeated, yet something has been profoundly damaged in the mind of the author’s younger self.

The art is lovely- loose brushwork lines with flat colours by Henri Meunier. A six panel grid. The book uses video stills and altered photography too and, despite the distressing content, the book is a lovely object.

 

Leave a Comment Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

  • Subscribe to our iTunes Podcast
  • Follow us on Facebook
  • Join our Facebook Group
  • Follow us on Instagram
  • Follow us on Twitter
  • Subscribe to our YouTube Channel

Subscribe to Graphic Medicine

Join our email list to keep up with the latest Graphic Medicine news!
  • This field is for validation purposes and should be left unchanged.

Shop / Support Us!

Visit Our Sister Site for Spanish Readers

Visit Our Sister Site for Japanese Readers

Visit the Pathographics Project

Graphic Medicine Database

About Graphic Medicine

Graphic Medicine is a site that explores the interaction between the medium of comics and the discourse of healthcare. We are a community of academics, health carers, authors, artists, and fans of comics and medicine. The site is maintained by an editorial team under the direction of the Graphic Medicine International Collective.

© 2007 - 2021 Graphic Medicine International Collective

WordPress Developer