1.0Graphic Medicinehttps://www.graphicmedicine.orgIan Williamshttps://www.graphicmedicine.org/author/ian-williams/rich600338<blockquote class="wp-embedded-content"><a href="https://www.graphicmedicine.org/comic-reviews/years-of-the-elephant/">Years of the Elephant</a></blockquote> <script type='text/javascript'> <!--//--><![CDATA[//><!-- /*! This file is auto-generated */ !function(c,d){"use strict";var e=!1,n=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},!c.wp.receiveEmbedMessage)if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!/[^a-zA-Z0-9]/.test(t.secret)){for(var r,a,i,s=d.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),n=d.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),o=0;o<n.length;o++)n[o].style.display="none";for(o=0;o<s.length;o++)if(r=s[o],e.source===r.contentWindow){if(r.removeAttribute("style"),"height"===t.message){if(1e3<(i=parseInt(t.value,10)))i=1e3;else if(~~i<200)i=200;r.height=i}if("link"===t.message)if(a=d.createElement("a"),i=d.createElement("a"),a.href=r.getAttribute("src"),i.href=t.value,i.host===a.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener("message",c.wp.receiveEmbedMessage,!1),d.addEventListener("DOMContentLoaded",t,!1),c.addEventListener("load",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf("MSIE 10"),a=!!navigator.userAgent.match(/Trident.*rv:11\./),i=d.querySelectorAll("iframe.wp-embedded-content"),s=0;s<i.length;s++){if(!(e=i[s]).getAttribute("data-secret"))t=Math.random().toString(36).substr(2,10),e.src+="#?secret="+t,e.setAttribute("data-secret",t);if(r||a)(t=e.cloneNode(!0)).removeAttribute("security"),e.parentNode.replaceChild(t,e)}}}}(window,document); //--><!]]> </script><iframe sandbox="allow-scripts" security="restricted" src="https://www.graphicmedicine.org/comic-reviews/years-of-the-elephant/embed/" width="600" height="338" title="“Years of the Elephant” — Graphic Medicine" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe>Willy Linthout’s only son, Sam, commited suicide in 2004. This remarkable, poignant work follows Linthout’s thinly disguised avatar, Charles Germonprez, through the awful months and years of grief following that tragic event. The lines between reality and fiction, perception and fantasy are blurred as Charles struggles to carry on living without his son, Jack.  His wife is present in the strory only as an ‘off screen’ voice, emphasizing the developing gulf between the two bereaved parents, who are trying to cope in their own different ways, their marriage heading towards breakdown. Jack becomes a real presence as the silent, yet... Read More